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Friday, November 28, 2014

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ZAC del Lilas Multi-Purpose Building / SCAPE

© Francesco Mattuzzi
Architects: SCAPE
Location: Porte des Lilas, 75019 ,
Area: 3800.0 sqm
Year: 2014
Photographs: Francesco Mattuzzi

Dogok Office Remodeling / DIA Architecture

© Kyungsub Shin
Architects:
Location: 425 Dogok-dong, Gangnam-gu, , South Korea
Architect In Charge: Chung Hyuna
Design Team: Oh Seunghyun
Area: 941.0 sqm
Year: 2013
Photographs: Kyungsub Shin, Courtesy of DIA Architecture

Macquarie University Social Learning Space / Bennett and Trimble

© Peter Bennetts
Architects: Bennett and Trimble
Location: Macquarie University, NSW 2109, Australia
Architects In Charge: Marcus Trimble, Matthew Bennett
Collaborator: Cameron Burbidge
Year: 2013
Photographs: Peter Bennetts

Building a Campus Integration of Embedded Systems / Christophe Bidaud Architecture

Courtesy of
Architects: Christophe Bidaud Architecture
Location: Saint-Étienne-du-Rouvray,
Area: 3880.0 sqm
Year: 2011
Photographs: Courtesy of Christophe Bidaud Architecture

“Insectarium Metamorphosis” Takes First Place in Montréal’s Space for Life Competition

© Kuehn Malvezzi, Pelletier De Fontenay,
Kuehn MalvezziPelletier De FontenayJodoin Lamarre PratteDupras Ledoux, and the Canadian Centre for Architecture (NCK) have won one of three first place positions in Montréal’s Space for Life International Architectural Competition, which seeks to reinvent mankind’s relationship with the natural world for the city’s 375th birthday, with their proposal for the redesign of the Montréal Insectarium. Titled Insectarium Metamorphosis, the project provides new spaces for visitors to get up close and personal with the multitude of insects housed in the museum.

Timber Frame House / A-ZERO architects

© James Whitaker
Architects: A-ZERO architects
Location: , , Central Bedfordshire LU7, UK
Year: 2014
Photographs: James Whitaker

1024’s “Vortex” Installation Unites Environmental Analysis and Art

Courtesy of
-based firm 1024 architecture has created Vortex, a generative light sculpture located within the Darwin Ecosystem Project’s green building in Bordeaux, France. The “architectural fragment” consists of scaffolding, raw wood, and twelve lines of LED light. With colored LED lights appearing to shoot across the structure, a new spatial experience is created, which also informs viewers about energy consumption within the building.
Learn more about the structure and 1024 architecture after the break.

La Tomatina House / Plastik Arquitectos

© Oscar Hernández
Architects: Plastik Arquitectos
Location: , ,
Project Architects: Gerardo Carrera Escobar y Eduardo Arellano Garcia
Project Year: 2014
Photographs: Oscar Hernández

Infographic: The Bauhaus Movement and the School that Started it All

Courtesy of Aram
Bauhaus, the school of design established by Walter Gropius in Weimar in 1919, has arguably been the most influential of any institution in shaping the trajectory of modern architecture. Out of this single school came an entire movement that would have lasting effects on architectural pedagogy and the design of everything from buildings to road signs. Born out of a larger cultural movement following Germany’s defeat in World War I which left the country ripe for regrowth without the previous constraints imposed by censorship, the core of Bauhaus philosophy were the principles of craftsmanship and mass production, which allowed for the movement’s rapid proliferation and a production model that would later inform contemporary design companies such as Ikea. Check out the infographic from Aram below to learn more about the movement, tracking the school from its origins in , via its canonical Gropius-designed home in Dessau, to its continuing legacy today.

Compartes Melrose / AAmp Studio

© Andrew Ashey
Architects: AAmp Studio
Location: Melrose Place, , CA 90069, USA
Architects In Charge: Andrew Ashey, Anne-Marie Armstrong
Area: 500.0 ft2
Year: 2014
Photographs: Andrew Ashey

The Berlage Archive: Leon Krier (2010)

<a href="http://www.vimeo.com/94698978">http://www.vimeo.com/94698978</a>
In this lecture, expounds upon his decades-long critique of modernist urbanism and design. Using his experiences planning and building the town of Poundbury, England as a lens for viewing contemporary planning practice, he compares modernist and classicist theory in their approaches to zoning and building construction.

P House / Cherem Arquitectos

© Enrique Macías
Architects: Cherem Arquitectos
Location: Isla del Lago, Bosque Real Country Club, 52770 , State of ,
Project Architect: Arq. Abraham Cherem
Design Team: Arq. Miguel Bravo
Project Area: 780.0 m2
Project Year: 2013
Photographs: Enrique Macías
The Cover of The New Yorker's December 8th Issue. Image © The New Yorker / Bob Staake via newyorker.com

Latest New Yorker Cover Addresses Ferguson Rift With Saarinen’s Iconic Arch

With their latest cover, The New Yorker is addressing the tragic unrest in Ferguson which has followed Monday’s decision not to indict the officer who shot Michael Brown in August, using an image of Eero Saarinen’s iconic Gateway Arch. The image, designed by Bob Staake, shows the arch divided, black on one side and white on the other in reference to the racial tensions that underpin the dispute. “At first glance, one might see a representation of the Gateway Arch as split and divided,” says Staake, “but my hope is that the events in Ferguson will provide a bridge and an opportunity for the city.” To read more about the ideas behind Staake’s design, visit The New Yorker’s website.

Video: The Latest Development at the 2015 Milan Expo Site Revealed with a Drone

The 2015 Milan Expo has been keeping architecture fans in the loop with “Belvedere in Città,” its continuing series of videos filmed with the help of a drone. Since our update last month, two new videos have been released – and now that the recognizable forms of the pavilions are starting to emerge, the videos include labels for each feature of the expo site. With the help of these new videos it is easy to see the forms of highly-touted pavilions such as Libeskind‘s Vanke Pavilion, or Nemesi & Partnerssmog-eating pavilion for Italy, gradually taking shape around the twin axes of the “cardo” and “decumanus,” an ancient Roman planning tool borrowed for the site’s masterplan by Jacques Herzog, Mark Rylander, Ricky Burdett, Stefano Boeri, and . Read on after the break for the second video, and screenshots of the construction works.

Sonorous Museum / ADEPT

© Laura Stamer
Architects: ADEPT
Location: Copenhagen,
Collaborators: Creo Architects, Niras
Year: 2014
Photographs: Laura Stamer, Kaare Viemose
See ArchDaily's exclusive coverage of the 2014 Venice Biennale
Monolith Controversies / Chilean Pavilion (Venice 2014). Image © Nico Saieh

The 2014 Venice Biennale, Socially Ranked

At a time when everyone is constantly interacting with the digital social universe, it’s becoming increasingly easier to gather informal data on how well received, recommended, liked (or disliked) an event or exhibition is. Compiled as a series of diagrams for DomusMaria Novozhilova examines the ‘social ranking’ of the 2014 Venice Biennale by dissecting the three core exhibitions (Fundamentals, Monditalia and Absorbing Modernity) and revealing the apparent ‘winners and losers’ as far as social engagement is concerned. Noting that ”it is only by starting from the end and working backwards, like a salmon swimming against the current, that we can see more exhaustively how things went,”, Novozhilova’s visualisations reveal a number of fascinating results. See all the diagrams here.

Haus Kaltschmieden / Bernardo Bader Architects

© Adolf Bereuter
Architects: Bernardo Bader Architects
Location: 6951,
Area: 285.0 sqm
Year: 2014
Photographs: Adolf Bereuter, Courtesy of Bernardo Bader Architects

Hotel MINHO Renewal and Expansion / ,i

© Nelson Garrido
Architects: Virgula i
Location: , Portugal
Project Lead Architect And Interior Design: JP Pereira
Design Team: Pedro Guedes, Teresa Aguiar and Pedro Durães Leite
Year: 2014
Photographs: Nelson Garrido, Eva Sousa
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